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“Reviving the ‘Namliyeh’: How a Jenin Mother Transformed Loss into a Cultural Lifeline”

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Jenin / PNN / Video by Yara Mansour, text editing by Dina Al-Arja —

From the city of Jenin comes the story of “Namliyet Min Zaman – Shughul Sitti w Sittak”, an organisation founded in 2003 by Hiyam Abu Zahra to honour the vision of her son, the late journalist Imad Abu Zahra. For him, preserving Palestinian heritage was more than safeguarding an old past — it was an act of resistance, a defence of identity, and a reaffirmation of existence.

Abu Zahra said the association was created out of a deep belief that heritage forms the roots Palestinians stand upon, and that losing it means losing a part of who they are.
She said her son always stressed that traditional culture is the living memory of Palestinians, and that passing it down across generations is a form of cultural and social resilience.

Her passion for history and heritage is what pushed her to continue the path he began.

She explained that her love for handicrafts began during her years as a teacher, spending long nights embroidering and making traditional crafts despite family responsibilities.

Abu Zahra said the name of the association reflects its mission and the essence of Palestinian heritage. The namliyeh — a wooden food-storage cabinet once found in every household — embodied the charm, efficiency and simplicity of life in the past.
“It kept insects and animals out, it wasn’t expensive or complicated, and it served everyone,” she said. “Unlike today, when everything is costly and exhausting, especially for poor and low-income families.”

A name rooted in heritage

She said the namliyeh was tightly sealed to prevent insects or household animals from entering — “even ants could not get in,” she added — making it the only method available to Palestinians for preserving food before the invention of refrigerators.

“No home was without one,” she said. “It was kept in the kitchen and was even part of the bride’s dowry in some periods — a chest that accompanied her to her new home to store food, clothes and valuables.”

Traditionally made by carpenters, the namliyeh consisted of three levels: one for food storage, another for clothing, and a lower shelf for jars of pickles and cheeses. It also included two drawers for cutlery and cooking tools.
“The top compartment had a mesh door for ventilation,” she said. “It was both a refrigerator and a cupboard.”

Abu Zahra said the namliyeh appeared in the early 20th century and spread widely before and after the 1948 Nakba, remaining in use until the early 1970s. Some families, she added, still keep one in their homes today.

A mother turning her son’s dream into a living project

After her son’s killing, Abu Zahra went through a difficult period but, with the support of her husband and family, transformed the idea into a functioning initiative that serves other women and carries a cultural message beyond handicrafts.

The association began by gathering women skilled in embroidery, traditional food production and heritage crafts, forming the first core group of the initiative.
“Our aim was to empower women and turn heritage from a memory into a living cultural and economic project,” she said.

The namliyeh reborn

Since founding the association, Abu Zahra has made sure to design and produce modern versions of the namliyeh in her centre, built to the same shape and traditional specifications.
She maintains three of them, each used to display women’s handmade products and heritage foods celebrated for their quality and flavour.

“The namliyeh has three sections,” she said. “One for old-style foods — pickles, dried vegetables, garlic and pomegranate strings displayed on top; one for embroidered items and handmade crafts; and drawers for embroidered accessories.”

The centre also houses a large collection of heritage items: old refrigerators and freezers, grinding tools, copper pots, straw trays, traditional bread containers (lajoun), kerosene lanterns, and bridal trousseau items.

These objects, she said, “are relics of the past that make me proud.” Preserving and sharing them with the younger generation is essential, she added, as many young visitors had never seen such items before.
“When we opened the centre, older visitors were moved to tears as it brought back memories. They photographed everything. This is heritage that cannot be sold — and it is our duty to protect it.”

A space for women and cultural learning

Abu Zahra said the association has become a space for producing and showcasing embroidered works, traditional food and handicrafts. It also hosts cultural, social and religious programmes and trains young people on heritage skills to ensure their survival.

The association documents the traditional Palestinian wedding with all its stages, including the groom’s procession after the pre-wedding bath, the bride’s horse procession, and the Palestinian dabke — all to preserve these inherited customs.

Through her work, Abu Zahra said she represents “the Palestinian woman who, despite loss, imprisonment and deprivation, continues to create, produce and preserve her identity and heritage.”

The Palestinian Women’s Cultural Heritage Association in Jenin was founded on the initiative of the late journalist Imad Abu Zahra, the son of its director, Hiyam Abu Zahra.
Born in Haifa on 13 March 1948, she fled with her family to Jenin following the Nakba, where she completed her education and later worked briefly as a teacher with UNRWA before leaving due to difficult circumstances.
She married educator Subhi Abu Zahra in 1966 and raised eight children, including two daughters, while mastering traditional crafts rooted in Palestinian heritage.

This story was produced as part of the Qarib Programme, implemented by CFI – the French Media Development Agency, with funding from the French Agency for International Development (AFD).



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CFI Unveils Climate and Environment Media Works From Jordan, Palestine, Lebanon and Iraq

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Amman / PNN /

The French media development agency CFI organised an art exhibition showcasing reports and stories produced under its environment and climate project, funded by the French Development Agency (AFD). The initiative trained journalists from four Arab countries to produce climate-related reports aimed at raising public awareness in the region about the importance of environmental protection.

The exhibition was held at CFI’s office in Amman, attended by the agency’s global director Emanuela Tolan, AFD’s regional director Yves Gescoro, QARIB programme director Henrik Erhnäs, QARIB editor-in-chief Nada Abdel Salam, representatives of various Arab media outlets, several media donors and members of the QARIB team in Jordan.

Henrik Ahrens, director of the QARIB media-development project, told PNN that CFI is hosting the exhibition to highlight climate and environmental productions created within the programme across four Arab countries. He said the goal is to inform audiences in Jordan, Palestine, Lebanon and Iraq about the importance of protecting the climate and countering negative environmental impacts.

Ahrens said the name “QARIB” was chosen because the programme seeks to bring journalists from the four countries closer together and produce stories that resonate “closely with the mind and the heart.” He added that the project is built on the idea of supporting independent media and enabling journalists from smaller outlets to participate in global climate summits, while also amplifying the voices of marginalised communities through stronger media coverage.

He noted that QARIB has allowed participating journalists to cover global discussions and negotiations on protecting the planet and preventing harmful climate change by raising public awareness. The exhibition, he added, is an opportunity to highlight what the journalists have achieved—written, visual and broadcast stories documenting climate-related issues.

Ahrens said CFI and QARIB trained groups of journalists and independent media professionals in the four countries on environmental and climate reporting. Journalists were supported to attend recent UN climate summits, where they produced in-depth coverage of global negotiations. Many have since developed the ability to create specialised environmental content that raises awareness in their communities.

The multi-year project provided training for independent media outlets in the four Arab countries, including PNN, aiming to build journalists’ skills and open opportunities for them to join international climate conferences.

Environmental journalist and trainer Suzanne Baaklini said QARIB trained journalists on key issues discussed at climate summits, including climate-finance negotiations, the responsibilities of major industrial countries, and the measures needed to mitigate negative environmental impacts. She said participants have since produced strong climate and environment reporting both during summits and in their home countries.

Journalists benefiting from the programme expressed their gratitude during the exhibition, stressing that the experience opened new horizons they hope to build upon.

Monjed Jadou, editor-in-chief of Palestine News Network (PNN) and founder of the “Arab Journalists for Climate” platform, said the network was proud to be part of the project. He thanked CFI and AFD for allowing PNN to cover the climate summits for several years, helping deepen regional climate reporting and raise awareness among Palestinian and Arab audiences. He noted that international reports indicate the Mediterranean Basin is among the regions most vulnerable to climate impacts and could become increasingly uninhabitable in the future.

Jadou highlighted the Arab Journalists for Climate initiative, which participating journalists agreed to establish during the climate summit in Azerbaijan. 

The volunteer-run platform covers Arab climate and environmental issues and currently seeks support to expand its work. He expressed hope that CFI would be one of its first supporters.

Lebanese journalist and climate-film producer Karam Mandar said QARIB allowed him to closely follow developments at the climate summits. After attending the past three conferences, he produced several short films on climate issues relevant to Lebanon and the wider Arab region. He expressed hope that independent media would continue to thrive in the four countries, as it plays a crucial role in amplifying public concerns, including environmental protection and climate challenges.

Mounia Dweik, director of the “Roya Palestine” channel, said the channel has recently developed its coverage of war-related environmental impacts, producing reports on the consequences of conflict on climate, land degradation, water pollution and soil contamination. She stressed the importance of addressing these issues.

Dweik added that the channel also prepared extensive climate-summit coverage, highlighting Palestinian issues throughout the events.

Jordanian journalist Abdulrahman Makawi, director of Jordan’s Aramram News, said the QARIB climate and environment project provided him with essential exposure to climate and water issues, which are of major concern to the Jordanian public. He said the outlet has since produced numerous specialised environmental reports. Makawi thanked CFI and the QARIB team for supporting young Jordanian journalists and expressed hope for more such opportunities.

The photographs showcased at the CFI exhibition—drawn from the climate reports produced through the programme—illustrated success stories and underscored the need for more support to strengthen environmental protection efforts and raise climate awareness across Arab societies, which remain among the regions most affected by climate change.

 



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In Gaza Beauty expert’s lost dream

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Gaza / PNN/ Iman Helas 

For 13 years, Zeynep Hassouna patiently built a reputation as one of Gaza City’s most skilled beauty experts. In one single morning, Zeynep’s world and dreams shrank to a tent.

Today, Zeynep, 36, lives in a crowded tent in al-Yarmouk playground with her family and her brother’s. Piles of rubbish sit in front of the tent, occasionally emitting a foul stench and attracting flies.

“Before the war, I used to live as a queen — my business was excellent.” Zeynep managed to achieve remarkable success despite Israel’s 18-year blockade.

Women from the southern Strip traveled hours to her salon, Zain Salon, to have their hair or makeup fixed.

Her business was the source of income for her family and her brother’s as well.

In the first hours of war, Zeynep and her staff waited for clients, but none came. “In the [salon’s] street, hardly one man would pass every one hour or two,” Zeynep described the Sahaba Street, one of the most lively streets in Gaza City.

Feeling an upcoming calamity, Zeynep locked the salon by noon on October 7. She called the property owner to end the salon’s rental contract. “For a while,” she said, but that “while” extended for two years and is still ongoing.

The successful beauty expert became an evacuee. The Israeli army forced her to flee with her family to al-Shifa hospital, to al-Zarqaa neighborhood, to a tent in al-Yarmouk playground, to a tent in the southern Gaza Strip, and to a tent in al-Yarmouk playground once again.

Beauty for the Bereaved

Even with the salon closed, Zeynep tried to resume her work in any way. She called her regular clients, offering beauty services, but all said they could not. They were mourning one or more family members.

“Many of my clients were martyred. One woman was a regular client of mine with her five daughters — all of them were martyred. Some lost their husbands, and some lost their children.”

For the first 14 months of war, Zeynep did not gain one shekel.

According to Zeynep, one year and nearly two months into the war, people began to seek beauty experts. Her phone started ringing again, with women asking to do bridal makeup.

During that period, all of the brides Zeynep attended had experienced personal tragedy.

“I fixed makeup for a bride who lost both parents, a bride who lost her mother-in-law, and a bride who lost her brothers-in-law.”

“I also fixed up makeup for many war widows who were to marry their late husband’s brothers,” she added, 

The makeup would be very simple, “just to get through the celebration.” During that period, celebrations were a way to cling to normalcy and tradition rather than a display of joy. Mourning families wanted to reclaim the means to smile and ensured to honor their martyred loved ones in the celebrations.

Zeynep’s work remained limited, not bringing in enough income to cover her family’s basic needs in the city with the [highest cost of living.

What if 

“If I were able to work properly and bring any food, my nephew wouldn’t have eaten feces from the ground.”

One morning during the harsh famine, Zeynep took her six-year-old nephew to a school to register for humanitarian aid during the famine. She left him at the door for just a moment.

When she returned, she found him sitting in the school bathroom, a tiny piece of bread in his small hand, pressing it into the dirt.

Zeynep tortures herself with the thought that her inability to work was the reason behind all of her family’s and her brother’s family problems.

Unlike many Gazans, Zeynep did not lose her home due to bombardment. Before that, the war deprived her of living happily in it, forcing her to be displaced repeatedly.

Eventually, her family was kicked out of the home, and did not find any place other than a simple tent sheltering them. It had taken Zeynep and her brother nine years to finally find an apartment spacious enough for both families. They lived in it for six years, where Zeynep’s nephews knew no other home. Losing it meant losing the last piece of normal life they could offer to the children.

“If I were working, we would not have been here in the tent. My mother would not have been in this state.”

Zeynep’s mother, 72, became paralyzed due to the harsh famine in northern Gaza. In the first days of famine, Zeynep’s mother began to see hallucinations suddenly.

“She was scolding us, telling unreal things, like why her brother was martyred and no one told her. She once hallucinated a bomb directed at her. I assumed it was a side effect of the high blood pressure drug. But when I took her to the hospital, she was diagnosed with a stroke in the brain.”

As the famine and the war intensified, Zeynep’s mother was diagnosed with three more strokes.

“My mother needs diapers because of her condition right now. But I can’t even afford to buy them.”

Unreached dream of beauty tent

Zeynep hoped that the ceasefire would allow her to work as before, to continue pursuing the dream she had left, and consequently to enhance her family’s and her brother’s lives. But the ceasefire fulfilled none of those hopes.

“Even after the ceasefire, the raw materials needed for my work were not available. For example, if a client asks me to dye her hair, I have to provide hair bleach powder, which is barely available in Gaza.”

Zeynep occasionally wanders the city searching for raw materials. If found, prices are often about 15 times their usual price. “The problem is I can’t buy and store them — these products spoil quickly, and I don’t have a salon that guarantees enough clients to use them all.”

This reality makes her consider opening a beauty tent to widen the circle of her clients.

“I am going to buy a tent and set it in the playground. One mirror, one chair — and I’ll resume work. I will start by offering the simplest services: cutting hair, removing facial hair, or shaping eyebrows.”

“I wish I could reopen my past salon, but I no longer have the capacity to do that.”

This expert’s current aim is a bitter contrast to her former ambition. Before, she put great effort into saving money to buy advanced machines that are rarely found in Gaza, dreaming of having the Strip’s only salon of its kind.

Normally, a beauty salon would have air conditioners to protect makeup from melting in the heat; the fabric of the tent traps the heat instead. On rainy days, Zeynep has to stay cautious, ensuring the rain does not seep into the tent, ruining everything.

She will not be able to leave the tent even during the night, fearing theft, especially in the state of [chaos](https://www.theguardian.com/world/2025/may/07/desperate-traumatised-people-gaza-faces-wave-of-looting-theft-and-violence) that overwhelmed Gaza following the war.

But even this simple yet challenging dream is unreachable for Zeynep. She needs to buy another tent to pursue her dreams, but her mother’s medical care consumes every shekel she spares.

Zeynep knows that she can no longer restore what the war deprived her of. Her wide salon, her mother’s health, her nephews’ memories of stability — all belong to the past now.

Despite this, Zeynep still wanders the Strip, searching for raw materials, and walks long distances to her clients’ houses, with her dream of owning the Strip’s only salon of its kind in her mind

 



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Foreign Diplomats Tour Bethlehem, Voice Support for Reviving Palestine’s Tourism Sector

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BETHLEHEM, West Bank / PNN /

The Palestinian Ministry of Tourism and Antiquities organised a tour on Tuesday in Bethlehem for members of the diplomatic corps accredited to the State of Palestine, aiming to brief them on conditions in the governorate amid Israeli occupation measures and on Palestinian efforts to revive and develop the tourism sector as a key tool for promoting Palestinian culture and strengthening the local economy in Bethlehem and across Palestine.

Several foreign diplomats expressed support for the Palestinian people, stressing the importance of enhancing cooperation through the development and expansion of tourism programmes. They also encouraged their citizens to visit Palestine — including Bethlehem and its historic sites — describing the city as calm and fully prepared to receive visitors.

The tour, which included dozens of diplomats and representatives of international institutions, featured stops at the Walled-Off Hotel, the Palestinian Heritage Museum, the Church of the Nativity, Star Street and the Saint Elias Hotel. Minister of Tourism and Antiquities Hani Hayek, Bethlehem Governor Mohammad Taha Abu Alia, and Bethlehem Mayor Maher Qanawati accompanied the delegation, briefing them on the ministry’s and private sector’s efforts to attract tourism groups from around the world and to strengthen direct cooperation between Palestinian tourism institutions and their counterparts abroad.

Palestinian Tourism Minister Hayek highlighted the ministry’s international outreach efforts to reaffirm that Palestine is ready to welcome visitors from all countries. “Bethlehem in particular, and Palestine in general, are safe and fully prepared to receive tourists from across the world,” he said.

Hayek said the ministry is working to restore tourism activity to its pre-crisis levels, noting that Palestine remains a beacon for travellers from diverse backgrounds. “By visiting Palestine, tourists can learn the truth about the Palestinian people — a hospitable nation rooted in this land and in its history,” he added.

He also briefed diplomats on the importance of the tourism sector to Palestine, describing it as one of the pillars of the national economy, a major source of national income, and a primary livelihood for many Palestinian families, as well as Palestine’s gateway to the world.

For his part, Bethlehem Governor Mohammad Taha Abu Alia underscored the significance of the tourism sector as an essential platform for presenting the history and identity of the Palestinian people to the world.

He praised the Ministry of Tourism and Antiquities for enhancing Palestine’s presence on the global tourism map, saying the sector plays a vital role in conveying the Palestinian narrative and showcasing success stories that reflect the resilience of Palestinians and their attachment to their land and heritage.

Bethlehem Mayor Maher Qanawati reaffirmed the city’s readiness to welcome tourists from all corners of the world, noting that the people of Bethlehem warmly receive visitors and tourism groups. He thanked the Ministry of Tourism and Antiquities for its efforts to promote the Palestinian tourism sector internationally.

 



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